Tech Roundup

Coming to the 2022 NAB Show in Las Vegas: "A comprehensive suite of innovative tools designed to simplify remote and live productions, leaving broadcasters free to focus on telling greater stories that connect audiences with content in more meaningful ways." The company that seeks to gain new and repeat customers selling the products? Evertz.

She has more than 17 years of top-level B2B marketing and experience and is a strong advocate for promoting equality and gender diversity in the workplace. This includes co-founding the Orlando Group arm of the AVIXA Women’s Council – a global community committed to supporting and empowering women who work in the AV industry.

Five years ago, Ferrofish launched its A32 Series, a set of flexible AD/DA and format converters that quickly became one of the most popular converters in their class. Now, the German pro-audio manufacturer has brought to market its next generation equipment with the release of the A32pro and A32pro Dante.

Live Media Group Holdings (LMHG) has purchased a video broadcasting (Outside Broadcasting) and production company based in Ohio's capital city. The transaction closed on March 1 and marks LMGH’s fourth strategic acquisition in the past three years.

Combining channel scheduling, playout, closed captioning, live streaming, and VOD publishing in one space-efficient server, VIO OMNI lets media organizations bring their content everywhere their viewers want to see it – from cable television and the web to mobile and OTT apps.

The organizers of the 2022 NAB Show are currently accepting applications from startup companies to feature their innovative products and solutions at the conference, scheduled for April 23–27 in Las Vegas.

The Sinclair Broadcast Group subsidiary dedicated to the deployment of advanced broadcast capabilities is readying a three-part webinar series that tackles the intricacies of Advanced Emergency Information powered by the NextGen Broadcast standard — ATSC 3.0.

Burk Technology has brought to market its Arcadia24 Hosted Subscription Service, a move the company that's long worked with radio and TV broadcasters says can provide secure web-based remote control accessible to small groups and individual stations.

The largest private owner and operator of communications infrastructure in the United States has announced that it has successfully issued $1.368 billion of tower revenue notes secured by its portfolio of 3,526 tower sites.

An interactive virtual event being held today and Wednesday comes at a time when new methods for connecting stories with audiences are being tested, and a new future for broadcast distribution and monetization is being defined. DRIVE 2022 seeks to explore the future of broadcasting and media, from syndication, FAST channels, monetization, and new OTT experiences, to cloud playout and master control.

NAB President/CEO Curtis LeGeyt will present the Radio and Television Engineering Achievement Awards during a 2022 NAB Show session titled “Hollywood’s ‘Binge Times’ OTT Battle and NAB Engineering Awards." The session is scheduled for April 24 at 3pm Pacific.

Workflow automation specialist Telestream, which also offers media processing, quality monitoring and test and measurement products designed to enable the production and distribution of video, has unveiled the latest version of its remote media player.

Electronics Research, Inc. is welcoming to the company a new Western Region Account Manager for Television. He will be responsible for managing ERI's broadcast television equipment sales in the western U.S.

The agreement allows Irdeto Control, a DRM platform, to be fully integrated into MwareTV’s IPTV/OTT distribution platform. The first implementation of Irdeto with MwareTV will be rolled out at shared services provider MultTV in Brazil.

Data and technology company Spherex has introduced what it calls "the first-ever global newsfeed that aggregates stories from around the world related to the globalization of TV and film content." Called World M&E News, the weekly newsletter is being offered free of charge as a service to the entertainment industry.